Camera controls

The moves

• →All 24: Static, Slow pan, Push-in, Tracking, Orbit, Handheld, Close-up, Wide, Pull-back, Dolly zoom, Crane up, Crane down, Whip pan, FPV drone, Aerial pull-back, POV, Snorricam, Bullet time, Slider, Roll, Dutch angle, Overhead, Crash zoom, Steadicam.
• →Each move answers to the words people use: "dolly in" is a push-in, "vertigo shot" a dolly zoom, "gimbal shot" a Steadicam. Write it anywhere in the prompt and it is detected and applied.
• →The Syntax menu at the foot of the composer lists them by group (camera moves, gear, lenses, apertures): one click drops the phrase into the prompt.
• →In Cinema, each shot picks its own camera move, and the Film tab sets the lens, the aperture and the light once for every shot (a scene can override them).

Lens, aperture, light

Lenses: clean sharp, anamorphic, vintage anamorphic, soft portrait, macro, fisheye. Apertures: f/1.4 wide open, f/4, f/11 deep focus. Lighting: silhouette, practicals, window light, overhead fall, contre-jour, soft cross, neon glow. A soft-portrait lens at f/1.4 with a slow push-in is the intimate close-up; an anamorphic lens with a crane up and contre-jour is the trailer shot.

Pairing moves with engines

Slow moves (pan, push-in, orbit) render cleanly everywhere. Fast moves (whip pan, FPV, chaotic tempo) are best on Hailuo and Seedance. Handheld suits Kling's human motion and the UGC ad template. Keep one move per clip: stacking two in five seconds reads as a mistake.

Clap · AI agent

Or let Clap make the clips

Describe the result in Ask. Clap asks what it needs, picks the engines, writes the prompts and prices the plan. Once you approve, it renders everything into your library. Fully automated, and nothing runs before you say yes.

• 1Clap asks one question at a time and keeps the brief, the cast and the storyboard up to date.
• 2The plan lists every render and its price before anything runs.
• 3One click on Approve and everything renders. Failed takes refund themselves.

Ask · Clap

Three moody 5-second clips of Kai walking through neon rain, 16:9.

Clap · Thought for 6s

Three takes on the same move, each its own clip. Here is the plan.

Plan · 3 renders435 cr

Clip · Scene 1 · eroq Motion One · 5s · 16:9145 cr

Clip · Scene 2 · eroq Motion One · 5s · 16:9145 cr

Clip · Scene 3 · eroq Motion One · 5s · 16:9145 cr

Done · everything landed

Production

Saved to your library

Starting points

Pick one: it goes into the box at the top, ready to generate.

Overhead flipA man in a worn brown leather jacket stands on a city rooftop at dusk; the camera rises above him and flips overhead in one continuous move, revealing on the other side a woman in an emerald bomber jacket walking through a neon-lit Tokyo alley in the rainUse this prompt → Slow push-in in the rainA woman with a sharp black bob and a camel trench coat under a clear umbrella in Tokyo neon rain at night, slow push-in on her face, raindrops streaking the umbrellaUse this prompt → Low tracking shotTracking shot alongside a skateboarder bombing down a steep San Francisco street at golden hour, low angle, motion blur, the city and the bay behindUse this prompt →

Frequently asked questions

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